GO HOME
Visit European Gallery



  1  2  3  4  5  6  7  8  9  10   Next
 
 
Prev Artist       Next Artist     

GIOTTO di Bondone The Devils Cast out of Arezzo (mk08) oil painting


The Devils Cast out of Arezzo (mk08)
Painting ID::  21137
GIOTTO di Bondone
The Devils Cast out of Arezzo (mk08)
c.1296-1297 Freso,Assisi, San Franceso. Upper Church

   
   
     

GIOTTO di Bondone Crucifixion (mk08) oil painting


Crucifixion (mk08)
Painting ID::  21138
GIOTTO di Bondone
Crucifixion (mk08)
1303-1305 Fresco.Padua, Arena Chapel

   
   
     

GIOTTO di Bondone The Marriage Procession of the Virgin (mk08) oil painting


The Marriage Procession of the Virgin (mk08)
Painting ID::  21139
GIOTTO di Bondone
The Marriage Procession of the Virgin (mk08)
1303-1305 Fresco.Padua,Arena Chapel

   
   
     

GIOTTO di Bondone View of the Church of San Francesco dfg oil painting


View of the Church of San Francesco dfg
Painting ID::  6898
GIOTTO di Bondone
View of the Church of San Francesco dfg
established in 1228 Convent of San Francesco, Assisi

   
   
     

GIOTTO di Bondone The Chapel viewed from the entrance dfg oil painting


The Chapel viewed from the entrance dfg
Painting ID::  6899
GIOTTO di Bondone
The Chapel viewed from the entrance dfg
1303-06 Cappella Scrovegni (Arena Chapel), Padua

   
   
     

  1  2  3  4  5  6  7  8  9  10   Next
Prev Artist       Next Artist     

     GIOTTO di Bondone
     Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.

     Related Artists::.
     | Bartholomeus Breenbergh | Jules Rigo | Georgios Jakobides |


IntoFineArt Co,.Ltd.